CCRMA Advanced Sound Recordeing Technology course (Jay Kadis)
Topics: noise reduction techniques in analog recording, dynamics processing (compression and expansion/gating), time-delay-based audio effects, principles of digital audio, disk and tape-based digital...
View ArticleFoundations of Sound Recording Technology (Music 192A CCRMA)
Instructor Jay Kadis’ Music 192A — Foundations of Sound Recording Technology. Music 192A, covers microphones and the principles of sound transduction, basic analog audio electronics, device...
View Article3-D Ambient Stereo & Surround Microphones Systems
Sonic Studios specializes in Live Ambient Surround Sound Recording Systems
View ArticleDPA: Microphone University
Click on “Microphone University” for some good information about microphones and mic placement.
View ArticleHow to Tape-Record Primate Vocalisations
This is an introductory text on how to tape-record primate vocalisations. It provides some information on the advantages and disadvantages of various types of equipment, and gives some tips for better...
View ArticleAudio Field Recording Equipment Guide
This document is designed to offer guidance to researchers interested in obtaining audio recording equipment for conducting folklore, ethnomusicology, oral history and other ethnographic fieldwork...
View ArticleSennheiser MD-421 II Microphone #1
Sennheiser MD 421 II at a Glance: Cardioid mic with outstanding performance in diverse recording and live situations Excellent feedback rejection and 5-position bass rolloff to virtually eliminate...
View ArticleMojave Audio MA-201 fet Microphone #1
Solid-state version of the MA-200 The MA-201 fet is a large diaphragm, phantom-powered, solid-state condenser microphone with a fixed cardioid pattern. Mojave Audio MA-201 fet Features: Hand-selected...
View ArticleShure SM57 microphone #3 (SFCMP)
Type Dynamic Frequency Response 40 to 15,000 Hz Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Sensitivity (at 1,000 Hz) Open Circuit...
View ArticleShure SM57 microphone #4 (SFCMP)
Type Dynamic Frequency Response 40 to 15,000 Hz Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Sensitivity (at 1,000 Hz) Open Circuit...
View ArticleShure SM57 microphone #2 (SFCMP)
Type Dynamic Frequency Response 40 to 15,000 Hz Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Sensitivity (at 1,000 Hz) Open Circuit...
View ArticleShure SM57 microphone #1 (SFCMP)
Type Dynamic Frequency Response 40 to 15,000 Hz Polar Pattern Unidirectional (cardioid), rotationally symmetrical about microphone axis, uniform with frequency. Sensitivity (at 1,000 Hz) Open Circuit...
View ArticleEquipment for Field Recording
This is not a comprehensive list of available recording gear, but merely suggestions for a basic gear package to get started making field recordings.
View ArticleDoublebass Pickups and Microphones
Pickups and Microphones for Doublebass from Jonas Lohse’s blog, The Double Bass Guide –featuring double bass related news, articles and links.
View Article
